Kelsea Ballerini’s latest album, Patterns, delivers a mix of personal introspection and catchy melodies yet ultimately falls short of reaching the heights set by her previous work. While Ballerini has always excelled at crafting relatable songs that touch on love, loss, and self-discovery, Patterns lacks the cohesion and standout qualities that made SUBJECT TO CHANGE such an engaging listen. This new album has moments of brilliance, but overall, it feels more like a collection of individual songs rather than a well-curated body of work.
About half of the album’s tracks capture the charm and lyrical introspection that Ballerini is known for, resonating with a touch of authenticity. Among the standout songs is “Sorry Mom,” a vulnerable piece that explores familial ties with a mix of regret and appreciation. Ballerini’s honest reflections on her journey resonate deeply, and the track’s melody perfectly complements the weight of her lyrics. Similarly, “Baggage” delves into emotional struggles, presenting a fresh perspective on our personal burdens. The way she navigates such delicate themes shows her growth as an artist, willing to dive into rawer territories without losing her approachable style.
Tracks like “How Much Do You Love Me” and “Two Things” continue to showcase Ballerini’s lyrical strength and emotional depth. “How Much Do You Love Me” feels particularly genuine as she muses on the nature of commitment and trust in relationships. Her voice’s vulnerability is accentuated by the track’s minimalist arrangement, allowing her storytelling to take center stage. “Two Things,” on the other hand, touches on the complexities of balancing personal and professional life, reflecting on the often-overlooked struggle to prioritize one’s needs amid external expectations. These songs resonate well and contribute to the album’s introspective tone.
Then there are songs like “We Broke Up” and “Deep,” which lean into Ballerini’s pop sensibilities. Both tracks are catchy, with infectious choruses and memorable hooks. “We Broke Up” has an upbeat, almost carefree vibe despite its subject matter, making it a fun yet thoughtful addition to the album. “Deep” is similarly appealing, showcasing Ballerini’s ability to blend relatable lyrics with an accessible pop-country sound that remains true to her brand.
Despite these highlights, Patterns doesn’t feel as dynamic or cohesive as her 2022 release, SUBJECT TO CHANGE. That album seemed to have a stronger sense of purpose, and each track felt like it contributed to a bigger narrative arc. With Patterns, however, a lack of flow makes the album feel somewhat disjointed. The tracklist doesn’t always work in harmony, and a few songs feel more like filler than vital puzzle pieces. Where SUBJECT TO CHANGE captivated with its energy and thematic unity, Patterns feels slightly flat in comparison, missing the spark that truly defines an exceptional album.
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