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Concert Photography

Modern Alibi’s Halloweekend at Snug Harbor

This year, spooky season was best spent going to Modern Alibi’s show at Snug Harbor with Charlotte’s own Te’Jani. Along with playing their sold out show at the venue, the band surprised fans the night before when they opened for the All American Rejects at VBGB’s. 

The venue was filled with fans in awesome Halloween costumes, but the band’s dynamic energy was what caught my attention the most. If there is one thing that I’ve noticed about Modern Alibi, it’s that they always give it their all, including when they’re dressed as flesh-eating zombies. Whether it was Christian Sturt going all out on the drums, bassist Josh King and guitarist Carter Ritz jamming together, or lead singer Holden Scott getting up on top of the bar singing a cover of “Sympathy for The Devil,” it was a Halloweekend worth remembering. 

If you missed both opportunities to see Modern Alibi live, fear not. They will be performing along the east coast in December with Nashville-based rock band, The Band Light. 

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Concert Photography

Landon Conrath opens For Cartel’s Chroma 20th Anniversary Tour

Pop-punk band Cartel kicked off their first night of their Chroma 20th Anniversary Tour in Charlotte, NC, bringing the energy of their beloved debut album Chroma to The Underground’s stage. In addition to Cartel’s energetic stage presence and playing a sold out show, indie-pop singer Landon Conrath joined the band for the first part of the tour. Throughout his set, he showed his passion for music through his songs “Cool Guy” and “Mezzanine.” He expressed his love of performing music showed immense gratitude towards Cartel for bringing him on tour. 

“I found the band Cartel a little late!” he confessed. 

“Welcome!” shouted an audience member while the rest of the fans, as well as Conrath and his band, all burst out into laughter. 

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Interviews Music News

The Band Light reflects on their musical journey ahead of new era of music

It’s no secret that Nashville-based pop-rock group The Band Light has has been captivating fans through catchy and hypnotic lyrics, various One Direction covers, and lively content throughout their social media and band vlogs. From opening for Switchfoot, Quarters of Change and Modern Alibi, attending Jonas Con, and to recently releasing new music, The Band Light has been having a very exciting past couple of years

We sat down to talk with the band members – lead singer Konnor Dolberry, drummer Trevor Young, bassist Jack Glenn, and guitarist Garrett Goodrich – about how their band began and where they are now. 

Laughter filled the room as the members reminisced on the band’s beginnings in high school theater. After their school’s production of Footloose was cancelled due to the COVID-19 pandemic, Dolberry, Young, and Glenn creatively took it upon themselves to make the musical’s soundtrack their own. After a few sessions together, they quickly turned the heads of their classmates and caught their attention. 

“We had these two songs, ‘harmony’ and ‘promise you,'” Konnor told us. “Those songs came out and a bunch of people at school really liked it! We were just kind of surprised by how it caught on with everybody.”

Eventually, seeing that Trevor Young had musical talents of his own, and after various attempts made by Garrett of getting him to audition for the band, Jack and Konnor finally took Garrett’s word and gave Trevor an audition. 

“Garrett saw the vision, and we decided to go to Trevor’s house. We played ‘promise you’ once, and we all looked at each other and we’re like, ‘All right, he’s in!” said Konnor.

As the band began to flourish, the meaning of The Band Light became something more to not only the fans, but to each of the boys themselves.

“I think the biggest thing for me has always just been connecting with people. I wanted to be in [the band] because of the connection to these guys. I thought they were freaking awesome in high school. Now as we’ve grown and as it’s changed, I want this band to be the place where people can connect and develop real friendships and relationships,” recalled Trevor. 

For The Band Light, 2025 has been a rewarding and memorable year so far. Along with opening and playing for various bands and attending Jonas Con earlier this year, the band released two new addicting songs, “Dreamboat” and “All I Need,” which created a major turning point for the band’s music.

“[‘Dreamboat’ and ‘All I Need’] are us stepping into the full evolution of what we’re becoming,” shared Konnor. “We’re building up to something, and we have an awesome team around us that we didn’t have before that’s able to help us with it. It’s just like all hands on deck now and it’s like we’re just full sent in everything!”

In this new era for The Band Light, they continue to leave fans on the edge of their seat, teasing their upcoming single “Turning Red,” out on September 19th. Konnor spoke about the story behind their newest song, which all started with a disappointing text message. 

“It’s about a situationship – this girl that ended things with me 30 seconds before we went on stage for the Quarters of Change show. I literally got a text as we were about to go on stage, and I’m like, ‘Oh, that’s cool.’ I put [my phone] back in my pocket, walked on stage, and wrote the song when we got back.”

And as their music has grown and changed, so has the band and the messages they want to send.

“The way this band started was almost as an outlet for us to create the things we wanted to – in a group without the fear of judgement or being cool. Eventually, that caught up with people in high school and grew into what it is now,” Konnor explained.

“Now, the meaning has shifted to not just being an outlet for us, but as a message to people to be fully themselves, no matter what that means; how messy, or how stupid people may think it looks. We are devoted to encouraging people to be themselves and creating the communities in which they can.”

Be on the look out for more updates from The Band Light on their social media, and be sure to stream Turning Red, out on September 19th!

Instagram: @thebandlightofficial

TikTok: @thebandlightofficial

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Concert Photography

Jake Scott’s Heartfelt Night in Charlotte on Live in ’25 Tour

Jake Scott’s show at The Underground in Charlotte was not only a memorable night for everyone in attendance, but also almost poignant – it was like a love letter. 

Opening for Scott on his heartfelt night in Charlotte was MaRynn Taylor. Although there were many technical difficulties, Taylor was able to prevail. Sharing her music was a love letter in itself: her single “Pretty Muchspeaks to the young girls who feel the weight of the world on their shoulders of being a certain standard on how they look. As she sang her new single, I couldn’t help but tear up on how honest and vulnerable Taylor was. It was almost as if she was speaking to a 12 year old me.

As Scott took the stage, he proclaimed, “Man, I love y’all.” Throughout the night, he not only expressed his love and admiration for the city, but he also continuously shared stories of growing up, moving away from his hometown, and marrying the love of his life. In every song that Scott sang and every story that he told, he got up close and personal with the audience. For instance, the story behind his single, “Venezia,” was a memorable one – it was about being whisked away on a trip to Venice with his wife and getting the opportunity to eat spaghetti for breakfast while being captivated by the beauty that the city had to offer. 

The night was overall a love letter to Scott’s wife, and I couldn’t be more happy to be a part of it and to become more excited for what Scott has to come in future projects.

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Concert Photography

The Driver Era returns to Charlotte with ‘Obsession’

With only a handful of shows left on The Driver Era’s Obsession Tour, I’m happy to say that Ross and Rocky Lynch always bring the energy to every show they perform. And as they returned to Charlotte with their fierce opener VALÉ, it was pretty clear that myself and the rest of the audience were about to have an amazing time. 

VALÉ captivated the audience with her beautiful yet fiery performance and mystical stage presence. During her set, I was taken back to the early 2000s as she performed a cover of Hollaback Girl by Gwen Stefani, prompting everyone, including myself, to sing along.

As The Driver Era’s set rolled in, I knew that my younger self was going to be excited based on clips of their past shows I had seen on my TikTok feed. You could have caught me dancing in the crowd step by step as Ross performed “Cruisin’ For A Bruisin’” from Teen Beach Movie. To close out the show, the song I had been waiting for all night began to play. “Get Off My Phone” was the cherry on top to an incredible night. As the show ended, the Lynch brothers walked towards the crowd to autograph fans’ signs and hats to everyone’s excitement.

The Obsession Tour was an obsession indeed.

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Concert Photography

Camisole, Lady Die, and Madisinn at Snug Harbor

The month of May was a month to remember for many Charlotte bands, but for Camisole, it was especially memorable. Kicking off the month, the band performed at Charlotte’s second annual Lovin Life Music Festival, and ended May on a high note by performing at Snug Harbor for the first show of their tour. 

Joining Camisole on Snug Harbor’s stage were two talented musicians, Lady Die and Madisinn. To start off the night, Madisinn delivered what was perhaps one of the most dreamy and mythical performances I’ve seen. For Madisinn’s first time in Charlotte, she had left a lasting and angelic impression on both the venue and the city. 

Throughout Camisole’s set, I expected the unexpected. One eccentric set, an unreleased song, and a cover of a Gwen Stefani’s song later, I was completely blown away by the liveliness of the band’s energy. During their set, frontwoman Briella Violet’s heart of gold had shown when she sweetly surprised drummer Logan Hawke and her roommate and best friend with a cake. It was sadly a bittersweet celebration as it was both Violet’s roommate’s birthday as well as Hawke’s last night of being a part of the band.

Lady Die’s set was the cherry on top for the night. For the band’s first night in Charlotte, I was completely blown away. “It’s also our first show in a couple of months, so we’re a bit rusty,” said lead singer Julia Rothenberger. After attending their show, I can say that I will definitely be listening to their new EP June when it comes out this month.

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Concert Photography

A not so-melancholy night with Japanese Breakfast in Charlotte

At the Fillmore in Charlotte on April 27, Japanese Breakfast and Ginger Root’s concert was filled with nostalgia and energy.

As Ginger Root took the stage, Cameron Lew, the leader of the music project, had incredible songs to play. For his entire set, nostalgia filled room as the onstage cameraman broadcasted the majority of his performance for the audience to see. Watching Lew’s performance on the screen almost felt like I had been transported to a time when MTV still aired music videos on its channel. Aside from playing various instruments and singing into a red telephone, he further entertained the audience by cracking a few jokes.

“I heard y’all got talking spiders. Charlotte’s Web,” Lew joked. 

I highly appreciated the small Beatles joke Lew incorporated within his set as he introduced himself and the beginnings of his career. 

“It all started with four guys from Liverpool.” The audience and I chuckled. 

He ended his set on a positive note with his song “Show 10,” encouraging the audience to dance as he reminded us to continue to put ourselves out there and to not be afraid of failure. 

At the opening of Japanese Breakfast’s set, it’s safe to say frontwoman Michelle Zauner, emerged from her shell. Quite literally, as she performed sitting on the edge of a giant clam shell. As she began playing, the music progressed from whimsy to loud and fierce. Most notable was when Japanese Breakfast played “Honey Water,” and Zauner displayed her amazing talent on the electric guitar. 

Her positive energy on stage proved to be infectious with songs such as “Side Tackle” that made me want to dance on stage with her as well as roll down the windows on a drive listening to this specific song.

Throughout the night, it was clear that for Japanese Breakfast’s Melancholy tour was not so melancholy. In fact, it was the exact opposite – upbeat, eccentric, and the most vibrant performance I have ever seen.

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Interviews Music News

Val Merza defies expectations with “Manic Pixie Dream”

Val Merza has always wowed fans and elevated to new heights as she began to release new music. Her debut EP, Colors, sparked Charlotte’s music scene with her vibrant lyrics. Following the EP’s release, she released two singles, “Hard To Love,” featuring Jay Hoff and “2641 (The Mom Song,)” which both express honesty and vulnerability through her personal experiences.

On May 9th she released her newest single “Manic Pixie Dream (MPD).” In the song, she explores the idea of the Manic Pixie Dream Girl trope, a young female character in pop culture who has a quirky and unique personality who often is seen as a love interest to the male protagonist. This character is sometimes described as an idea – someone that is the male protagonist’s love interest, and helps him with finding a meaning to life, and giving him a sense of purpose. 

“In a lot of media, she’s only important because of her association to the male protagonist. It’s like the typical sad and depressed boy meets a girl who’s basically the personification of a fairy – bubbly, full of life and exciting,” Merza described. 

As she delves more in-depth into the character trope, she describes it as a person that is mainly just an idea, how this idea does not exist, and that people are who they say they are, regardless of the expectation that many people make up. Eventually, Merza put the idea of the trope to music. 

“She doesn’t really have much substance to her,” she says.  “There are some variations of that character. In real life, that’s not how it works. People are people. The way I always introduce this song when I am about to perform it is: ‘This song is about how someone will fall in love with the idea of you instead of your actual personality, and then get mad when you don’t meet those expectations that they made up in their own heads. This isn’t about a real person.’”

In some of her most recent songs, she explores her vulnerability, delving into her past experiences, writing thoughtful lyrics, and transforming them as a way of healing. In “Manic Pixie Dream (MPD)” Merza defies expectations, knocking down ideas and perceptions, and gives way towards a confident evolution of her music. 

“It’s way more upbeat, especially than the most recent songs I’ve released, like “The Mom Song” and “Hard to Love.” Those were more sad and thoughtful. “Hard To Love” sounds like what healing feels like, while “MPD” is the petty version of that,” she says. “I’m kind of coming to my senses and realizing, no, I’m not hard to love.”

Within the lyrics of her newest single, she gives encouragement and a reminder to her fans, that they are enough, and it is no one’s responsibility for being an idealized version of what someone may think of you. 

“It’s okay to just be yourself. No guy is worth making yourself smaller for because that is eventually what I did, and I’m still working on getting it back. Never love anybody more than you. That’s kind of the message of MPD and what I want people to take away from it. Don’t let any man or anybody make you feel like you’re too much.”

“Manic Pixie Dream” is the first song Val will be releasing since her two latest singles. Returning to the studio brought back excitement, especially when she showed the song to her band.

“There are parts where my guitarist was getting excited about playing. It’s going be so much fun to play live.  I could just imagine people screaming back, ‘I never lied about who I was,’ and I’m just excited!”

In addition to her single, Merza will be having a joint single release party and will be celebrating her birthday at Petra’s on May 10th.  A year prior, she had a similar party around the same time, and the Charlotte community that she has received so much support from. She’s excited to share Manic Pixie Dream with everyone. 

“Last time, it was so much fun. The entire community showed up, and I had really great talent. I had Lisa de Novo and Zach Robbins with their full bands.I’m especially excited to play “Hard To Love” and “MPD” the way that we’ve been rehearsing it. It’s gonna be a lot of fun!”

Stream Val Merza’s song Manic Pixie Dream (MPD) on Apple Music and Spotify!

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Interviews

Merrick Winter reflects on his meaningful experiences aboard a train ahead of his sophomore EP

Aboard a train and traveling along a slow and patient route, Merrick Winter found himself on a journey. He left behind the chaos of the east coast of the US and discovered the serenity of what lies out west. As a British-American who moved to the UK as a child, he not only had the opportunity to explore his home country but also to take in the exquisite landscapes of America – the sceneries that most of us may miss while on a long road trip. 

“I took a train from New York to California as a way of just sort of seeing my home country and wanting to do the journey a little more slowly to take in the sights,” Winter said. “On the East coast, it’s a little bleak, but as you get out west, the landscape just starts to sprawl and reveal itself in ways that you just won’t see that side of America.”

In no rush to get to his destination, what Winter saw and experienced on his slow yet mesmerizing trip was unforgettable. To add to the scenic views, he also met many strangers aboard the train. Each person Winter had encountered were all very different. From diverse backgrounds, each conversation he had experienced gave him a rich and emboldening perspective of how they saw the world around them. 

“The thing that I took away from each conversation was the differing perspectives on life and on our shared country. That was the thing that interested me the most because you had rich folks, poor folks, and everyone in between. You even had old white couples, a black single mom with an autistic kid, and Amish folks who were all coexisting in this little microcosm of America,” he said. 

With each encounter, time stopped, stories were told and heard, experiences were embraced, and connections were formed. Every experience opened his eyes, staying with Winter forever.

“It was a very peaceful experience. I think what I took from it was that each interaction was far more pure than what I’m used to when I encounter strangers, and it was because there was an investment of time,” he said. “I got these wonderful little stories from people who I would never meet in any other context. You wouldn’t have that kind of conversation with the person sitting next to you on a plane. Modern life is brief and abrupt.”

Because of his conversations with the people aboard the train, it sparked inspiration behind his single “The California Zephyr.” Each story and interaction is incorporated into the song, bringing each experience to life through the tranquil lyrics. Light laughter and excitement filled the room as Winter reminisced on one of the conversations he had with a passenger who had an encounter with a few well known artists in the late sixties.

“There’s a verse in [the song]: Leroy talks of ‘69, of Haight and Ashbury in his prime, of lighting up with Morrison. See everything was hazy then. He says you know the future waits for no one. And every single moment here is stolen.

That came from a conversation with an old fellow who used to live in the Bay Area. He asked me, ‘Do you know the band The Doors? I used to smoke with them! Jim Morrison came on my boat once.’ And that’s probably one of his favorite stories to tell.”

Every moment and conversation remained special for Winter, as if it was a certain piece of treasure that he was trying to find, and valuing it for the rest of life. 

“I just love picking up those little things. They feel like nuggets. They feel like that’s my whole purpose in songwriting. I’m like a bit of a magpie when it comes to songwriting – I love collecting little trinkets and stringing them together,” he laughed. 

“The California Zephyr” is one of the songs on Winter’s upcoming sophomore EP of the same name that releases on May 9th. Winter references the EP as a travelogue of his experiences and covers themes of longing, growing up, and homesickness.

“I think I’ve always had a deep sense of homesickness and that comes from moving countries when I was 11, learning a whole new culture moving to the UK as a kid. I’ve been away long enough that I sound like an outsider, and to kind of look at my home country both critically and lovingly,” Winter explained. “I feel like I did a lot of growing up in between these songs. It feels like us searching and a process of growing up as well.” 

Winter even recorded a live, orchestral version of “The California Zephyr” with the Lockeland Strings, which was a dreamlike experience for him.

“Within a couple of takes, we had it, which was incredibly surreal because everything, all of my pauses have been meticulously notated on a score,” he said. “To hear that and to basically just be able to stand there in the middle of the room, in front of the mic, play how I would play, and have an entire orchestra support what you’re doing is something I will never forget. I hope to do it many more times in my career.”

Winter also spoke about another recently released song that will be included on the EP. “Carry It Forwards” explores a dark time in his life. Change was some of the main themes of the song, giving listeners and himself a chance to reflect on heartbreak and obstacles in life.

“I was going through a lot of changes – going through a breakup and realizing that there were certain people in my life who it was better for me not to be around,” Winter stated. “I think that song in particular is amusing on what happens to you when you hold onto bitterness and resentment. It’s still useful. It’s still useful to me every time I sing it.”

The song serves as a reminder to always keep going, to not let bitterness hold you back, and to change for the better.

“It still feels important to remind myself or whoever that there’s an element to snap out of it. If you need a reason to,” he says, “find one.

If you’re screaming out for meaning, don’t wallow.”


Merrick Winter will be releasing his sophomore EP, The California Zephyr on May 9th! Pre-save his album here, and listen to him on both Apple Music and Spotify.

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Concert Photography

Palmyra creates a “Restless” yet hopeful night at Petra’s

Virginia-based folk band Palmyra stopped back in to Petra’s Bar in Charlotte on their Restless tour along with opener Joseph Terrell on April 25.

As the show started, Mānoa Bell exclaimed, “It feels good to be back.” 

I agreed. 

A sense of calm filled the bar as Palmyra started to play. The night was not only filled with new friends and groovy tunes, but also eccentricity and emotion through their songs. Each lived experience that was played and sang radiated throughout Petra’s. With this, it created a magical safe space for every person in the bar, myself included.

One song that particularly took me by surprise was “Shape I’m In.” Sasha Landon’s lyrics pulled at my heartstrings, to the point where I could not contain my emotions. 

Throughout the night, I was most impressed by the band’s beautiful lyrics and how they implemented the first microphone they had used when starting out as a band. The members played around that singular microphone with Manoa on both bass and cello, Sasha on acoustic and electric guitar, and Teddy Chipouras guitar and banjo. 

“We were trying to be folkier, from playing songs on the one microphone,” they joked, with the audience erupting into laughter.  

The show ended with their song “Stones Throw,” a song about marching on despite the setbacks experienced in life, giving a strong conclusion to a wonderful night.

Prior to coming to the concert, I had been struggling to find my voice through art or anything that brought me joy. But meeting Palmyra and listening to their music helped me find my voice again. My experience at Petra’s Bar with Palmyra taking the stage was a reminder to myself and others to keep going. And because of them, I will.