Category: Music News

Have we heard the best of Shawn Mendes? That’s the question I’ve been asking myself since listening to Mendes’ hits like “Lost In Japan” and “In My Blood.” Listeners might be pleasantly surprised that the artist’s latest album, Shawn, unveils a new, unexpected side of the singer we’ve never witnessed. 

Mendes shot to stardom in 2015 with his hit “Stitches,” and ever since then, the world has been in love with one of the greatest pop singers to date. Shawn is the singer’s 5th studio album and the 2nd to be named after himself. I thought we’d seen the best of the singer after Mendes released his 3rd album, Shawn Mendes, which featured hits like “Nervous,” “Youth,” and “Lost In Japan.” 

However, after a thorough listen to his latest release, Mendes revealed that the best is yet to come with his most vulnerable album. 

Listeners can expect to hear influences from ’70s classic rock, a departure from the pop sound that Mendes is known for. This shift in sound is a bold move, but it doesn’t take away from the overall effect, which is a rarity. The album’s mood is tranquil, serene, and open to interpretation as the singer addresses his hopes, dreams, and more controversial topics like his sexuality. 

Noteworthy tracks that stand out in this album include “That’s The Dream,” “Why Why Why,” “Heart of Gold,” and “The Mountain.” These tracks capture the essence of Mendes’ clarity as listeners journey through self-discovery through the artist’s eyes. 

Shawn is undoubtedly his most raw and powerful work yet. Through this album, Mendes strips back the pop polish and dives into more introspective themes, showcasing a vulnerability and artistic maturity many fans may not have anticipated. However, in exploring these deeper, more personal narratives, Mendes takes a departure from the upbeat, catchy melodies and light-hearted charm that initially endeared him to millions, signaling a significant shift in his music style.

Mendes’ vocal range isn’t necessarily challenged in this album; instead, it finds a comfortable, mellow groove he settles into for most tracks. Much like Taylor Swift’s Folklore and Evermore, Shawn carries a cohesive sound throughout, with many songs blending into a similar sonic landscape. This approach underscores the album’s tranquility and reflective nature, inviting listeners to immerse themselves in the calm and contemplative atmosphere, allowing the lyrics and introspective themes to take center stage.

Fans can expect a new wave of music from Mendes, inspired by the spirit of the ’70s and authentic hippy culture. With Shawn, Mendes steps into a more relaxed, soulful sound that taps into classic rock influences, hinting at a fresh chapter in his artistic journey. This album previews the deeper, more grounded music that lies ahead, showing that Mendes is ready to explore new depths while staying true to his evolving vision. It’s a bold step forward, leaving listeners wondering how far this journey will take him.

Kelsea Ballerini’s latest album, Patterns, delivers a mix of personal introspection and catchy melodies yet ultimately falls short of reaching the heights set by her previous work. While Ballerini has always excelled at crafting relatable songs that touch on love, loss, and self-discovery, Patterns lacks the cohesion and standout qualities that made SUBJECT TO CHANGE such an engaging listen. This new album has moments of brilliance, but overall, it feels more like a collection of individual songs rather than a well-curated body of work.

About half of the album’s tracks capture the charm and lyrical introspection that Ballerini is known for, resonating with a touch of authenticity. Among the standout songs is “Sorry Mom,” a vulnerable piece that explores familial ties with a mix of regret and appreciation. Ballerini’s honest reflections on her journey resonate deeply, and the track’s melody perfectly complements the weight of her lyrics. Similarly, “Baggage” delves into emotional struggles, presenting a fresh perspective on our personal burdens. The way she navigates such delicate themes shows her growth as an artist, willing to dive into rawer territories without losing her approachable style.

Tracks like “How Much Do You Love Me” and “Two Things” continue to showcase Ballerini’s lyrical strength and emotional depth. “How Much Do You Love Me” feels particularly genuine as she muses on the nature of commitment and trust in relationships. Her voice’s vulnerability is accentuated by the track’s minimalist arrangement, allowing her storytelling to take center stage. “Two Things,” on the other hand, touches on the complexities of balancing personal and professional life, reflecting on the often-overlooked struggle to prioritize one’s needs amid external expectations. These songs resonate well and contribute to the album’s introspective tone.

Then there are songs like “We Broke Up” and “Deep,” which lean into Ballerini’s pop sensibilities. Both tracks are catchy, with infectious choruses and memorable hooks. “We Broke Up” has an upbeat, almost carefree vibe despite its subject matter, making it a fun yet thoughtful addition to the album. “Deep” is similarly appealing, showcasing Ballerini’s ability to blend relatable lyrics with an accessible pop-country sound that remains true to her brand.

Despite these highlights, Patterns doesn’t feel as dynamic or cohesive as her 2022 release, SUBJECT TO CHANGE. That album seemed to have a stronger sense of purpose, and each track felt like it contributed to a bigger narrative arc. With Patterns, however, a lack of flow makes the album feel somewhat disjointed. The tracklist doesn’t always work in harmony, and a few songs feel more like filler than vital puzzle pieces. Where SUBJECT TO CHANGE captivated with its energy and thematic unity, Patterns feels slightly flat in comparison, missing the spark that truly defines an exceptional album.