You might know electronic duo NOTD from their songs “I Wanna Know” featuring Beat Miller or “So Close” featuring Georgia Ku, which came out in 2018. NOTD continues to prove that they can create hit after hit with their latest single called “I Don’t Know Why.”
The song, released today, features Astrid S. Her ethereal vocals complement the upbeat track, resulting in a mix that will make you want to dance and sing along with her. We dare you to try to not break out any dance moves during the chorus! Catchy from beginning to end, you’ll find this song stuck in your head. Even if you don’t know any other words than “I don’t know why / oh, I don’t know why,” we bet you’ll be humming the tune throughout the day.
Take a listen here, watch the official video here, and be sure to keep your eyes and ears on NOTD! We sure will be!
PUBLIC released a new single today titled “Honey In The Summer,” following up their hit “Make You Mine,” which you’ve most definitely heard on TikTok. And if you’ve been searching for the perfect anthem for this summer, look no further! You might not think that such a song could exist for a season tainted with coronavirus, but PUBLIC succeeded regardless.
“Honey In The Summer” proves that we can do this social distancing thing and still have a great time. “But I don’t have a sweetheart to hold when I’m alone / So I just grab my keys and snag my favorite CD / Cruisin’ and it’s just me in the front seat” sings lead vocalist John Vaughan, reminding us that listening to this song at full blast, windows down, and an open road ahead is all we really need.
But don’t just listen to the song! You should also check out the lyric video. Giving us a lovely mix of live action and graphics, our animated band cruises down the road in a bright yellow SUV. It makes you want to hop in the car with PUBLIC as a cute little animated version of yourself and belt out the lyrics alongside them!
So what are you waiting for? Go listen to “Honey In The Summer,” watch the video, and then head out to your car to welcome the summer season!
Concert photographers Beth Saravo and Maggie Friedman have been spending their quarantine doing a lot more than binge watching Netflix like the rest of us. When all concerts were cancelled for the foreseeable future, they decided to take their industry knowledge and music network and with their combined expertise, they created an online interview-style show for creatives and artists alike.
The new project, titled Real[m] (we’ll tell you why in the interview) is an informal conversation and Q&A with photographers, musicians, creatives and industry professionals, hosted of course by Maggie and Beth. We had a chance to chat with them about their exciting new endeavor and their upcoming guests this week. Check out the interview below.
Crowdsurfer: When did you guys conceptualize the idea to do an interview-style show?
Maggie: When the whole quarantine thing happened, I’m the type of person that needs a project to work on. I just keep myself busy or I go crazy. Beth and I really both agree on the fact that we both love working. So I was thinking, “Oh, what can I do?” So I decided to do an Instagram live every single day with some friends and we’ll just chat about photography. I didn’t really expect to be a project. It just was something that I could do every day to keep me busy.
So I did it for a few episodes. And then I messaged Beth and I was like, “Hey, it would be really cool if you did this with me. And she was like, “Cool, let’s do it next week.” And then I got really sick and I kind of stopped doing it. And then a couple weeks later, when I was feeling better, I texted her and I said, “OK, look, I really want to start this up again.” And she said, “Well, what if we did an interview series together?”
Beth: For me, I didn’t want it to be questions that you always hear. I wanted the questions to be a little bit deeper than, “When was your first show? Who’s your favorite band?” I want someone who’s not even a music photographer to come in and sit down and say, “Hey, this is interesting because her story is so cool or his process is so different or it gives me the tools to be creative.”
And the community base, just because we are reaching out to people in our community, people who literally inspire us and inspire others, and that’s what makes this thing grow. Even last week we had two guests with really large communities come and they’d stay and overflow and maybe they listen to someone that they’ve never even heard about. And that’s kind of the goal in my head.
Crowdsurfer: How’d you come up with the name Real[m]?
Maggie: Anyone who’s ever started any kind of brand or business or anything can relate that naming is probably the hardest thing ever. It has to be catchy enough that people remember it, but it also makes sense to what you’re doing. And it just has to be perfect, essentially. And we were listing our words on a Google doc and Beth said the word “realm.”
And I said, “What if the the ‘M’ is like the manual sign on a camera because we’re both photographers?” And the synonym for realm was human connection. So it has a double meaning of like it’s a realm of creatives, but it’s also about human connection. So somehow we managed to find a word that encompassed everything that we were trying to promote. And I don’t know how we did it, but I’m really proud of it.
Crowdsurfer: The logo is really cool, too. Are there any hidden things or meanings you have in the logo?
Beth: There is one of my photo laminates in there. Also there is a Photoshop screen open which we liked.
Maggie: Beth also uploaded a festival wristband. So if you look on the top right corner, there’s a festival wristband right in the corner and that was kind of a fun Easter egg.
Crowdsurfer: After almost your first month of shows, what’s it been like to hear all the initial feedback and excitement for the show so far?
Maggie: We’ve had such amazing, informative and supportive chats with people and it’s been such an amazing opportunity to connect people with each other and show people that we’re all in this together. The first week we talked to Jake Chams and he was like, “I’m not immune to this either. I had tours get canceled. I’m sitting at home, too, like we’re all experiencing the same thing right now,” which in my opinion showed we are all on the same level right now; we’re all on the same page. It helped to further foster that community and trust.
Crowdsurfer: What is the concept for the show and where do you see Realm going in the future?
Maggie: Our whole concept is we want people to learn in an approachable way. We also want people who aren’t concert photographers to be on it. We want it to be all different types of creatives, all different types of people in the music industry. Honestly, there hasn’t been a week where I haven’t walked away feeling like I learned something, too. And I think the biggest thing we really wanted was for it to feel accessible and interactive, like we wanted the people who were watching to feel like what they were saying and their input and what they had to ask was equally as important as what we were asking. We wanted it to be that if you had a question for that person, here is your opportunity to get that question answered. So we’re thinking about how can we be interviewers that think outside of the box and involve people in a way that not only photographers are going to care about this, but anyone who’s watching this can.
Crowdsurfer: Who do you have on the show this week?
Beth: This week is really good. I’m super stoked. We’re starting with Steve Sweatpants. He is an iconic photographer in New York City. He began back with street photography when going underground and then roof topping was a really big thing. And he he started Street Dreams Magazine, which was a really iconic magazine within that culture. And he’s a Sony partner, and Emmy nominated videographer. So I want to have a professional conversation with him, like I know you’re just a kid with the camera going around, literally shooting the street. tell us about how you made that marketable.
And then second, we have Sam Miller, who was the lead singer for Paradise Fears, and now he has released his second novel, and it is a New York Times best seller. We’re going to talk to him about how he uses music in his writing and all that fun stuff.
Then lastly, we’re talking to Miranda McDonald, who is an amazing female in the industry in Los Angeles, shooting a lot for Shawn Mendes and Julia Michaels.
Crowdsurfer: How can people check it out and get involved?
Maggie: Go to twitch.tv/realmchat for the live shows, and our socials are a really good way to find out who’s gonna be on it. People can also get involved by telling us what you want to hear from us. And give us suggestions of people you want to see on the show. And also just watching it. I think the best way to understand what we’re about and what we’re doing is to tune in when we’re live.
Make sure to follow Maggie and Beth on Instagram and head on over to Twitch on Thursday afternoon to catch their next live episode of Real[m]!
Yoste (rhyming with “lost”) shares his new release, Flaws, produced by Tones and I, (of Dance Monkey fame) member, Konstantin Kersting, along with an authentically driven music video representing raw and real footage of Yoste, as the main focus, being submerged into a pool, that can be interpreted as to how our flaws remain a part of ourselves at our truest forms, like when Yoste submerged.
The video was filmed by Yoste’s father, none other than Anthony Sines, an award winning Australian cinematographer.. The song surrounds the concept of personalities in a relationship in which each person has their own set of flaws that get in the way and hold weight over them.
The lyricism is incredibly real and simple, yet remains complex. Especially at the Chorus section:
I’m not typical lately I’m so difficult when we Go outside, fall apart Kitchen lights, break my heart You were right, it was hard
Going back to the original idea of rawness that our flaws stem from, the part where he confesses his difficult traits as a flaw, speaks a hard truth. The performance is captivating but not so much distracting from the low-key production that supports it. Yoste describes his music and songwriting as the process of navigating life as a young adult, trying to express the highs and lows of relationships and personal struggles.
Yoste earned his credentials gaining attention from success of stand-out singles Arc and Blue from his debut album, try to be okay, released in 2019, amassing over 85 million streams throughout his discography. Touching into the atmosphere of ambience and pop landscape, he is heavily influenced by artists such as Jonsi, Bon Iver, The Cure, and The 1975, in which you can hear the little aspects of each within his music. Check out his music video for Flaws, and let us know what you think in the comments!
Whether you’re social distancing at home or driving to your (essential) job, consider putting on a track or two from Shallou’s newest album, Magical Thinking. It contains thirty-eight minutes of pure emotional joy that deserves to be thoroughly listened to. The first few seconds of the intro track immediately brought me back to a past summer and pushed all worries I had from this difficult time out of the way. Nothing like a nice drive with ‘‘Forget’’ playing in the background to make you feel like the world is back to normal, even if it isn’t.
The album surrounds the concept of memory loss, holding onto those intimate moments before they become out of reach. It shifts from the sadness of memory loss to represent the seasons with all of it’s changes and how that relates to people. The album holds an emotional aspect to it; maybe it’s from the introspective lyrics, or the spacious, light tone of the vocals, but it definitely left me with a heavy heart and a breath of fresh air. The production seems slightly opposite from emotional as it stems from joyous electronic pop but does a magnificent job keeping the allure of ‘‘whimsical sadness’’ that Shallou describes in his music.
The album features collaborators; Ashe, Daya, Zachary Knowles, and many others, that makes it all even more worth listening to as each artist brings their own flair without compromising the overall message in each track.
My favorite track would have to be, Older featuring Daya. It’s everything you need in a song from the combination of Daya’s vocals, Shallou’s production, and the top-notch songwriting putting it at my number one track on-repeat. The lyrics, ‘‘Maybe one day when I am older, I might understand why love doesn’t happen to everyone who wants it’’ is so beautifully written and performed, it is just the heart-breaking, ambient ear candy we were all looking for. Shallou has built a name for himself as one of music’s most organic artists who successfully gained over three million streams thus far. I cannot wait to hear more from Shallou and expect nothing less than something magical from him on the next release.
Crowdsurfer: What has your life been like since the end of Fourth Ave?
Jaden Gray: It has been bittersweet. It’s been bitter only because we departed and went our own ways, and it wasn’t like it was fun to leave. It was just that we all came to a point where we were like it was time to conclude Fourth Ave, but not conclude the friendship of Fourth Ave, and pursue our solo careers. And since then it’s been a great time, I’ve been living my best life. As a solo artist, these past few months have been outstanding.
CS: You just released a new single called “Love Happy.” How does it feel to put out a song as a solo artist?
JG: Whoo! So when the boys and I put our EP out it was mind-blowing. But when it came to my own song, that was only me on the track, a song that I helped produce, helped write, I was blown away. I just never thought that I’d be here and this age. I thought I’d get there eventually, but not at 19. It’s an amazing thing to see all the fans respond and do videos and sing and already know the words and it’s only been out for a week!
CS: Is the vibe of Love Happy what we can expect your sound to be in your future music?
JG: Very much, and then not at all. Let me break that down. The sound that I’m going for is Pop R&B. My voice is the R&B effect, but the music is going to be pop. So for the next few songs I’m gonna experiment, and whichever the fans gravitate to most that’s the sound I’m gonna stick to. My next song is gonna be more along the lines of Pop Latin vibe. But Love Happy really feels good so I really hope the fans stay in that lane because I love making music that makes you wanna dance.
CS: Can you tell us anything about this next song? When are we gonna hear it?
JG: I was shooting to put the song out this month but being that the studios are closed down due to quarantine, I’m going to put it out in May. I’ve been talking to a few people and there will possibly be a feature on there as well, and me singing a little bit of Spanish as well. That’s all I can give. But it’s gonna be a vibe!
CS: Well, now I’m excited about it and sad we have to wait a month! And on the topic of things getting pushed back, I know this year is up in the air, but what are your plans for 2020?
JG: Before all of this happened I was scheduled to do Coachella, I was scheduled to go on the tour with Kanye West, I had four solo shows in a matter of two weeks which I’ve never done on my own… And all of that got pushed back. It didn’t get cancelled, but pushed back. As of right now those are the things that are solidified and I’m planning on this year!
CS: What’s your writing process like?
JG: My writing process is different. I’m not the best writer, that’s just not my strength yet. So usually when I’m in a room writing a song, I usually bring a couple other people in because I can tell people a story and I just need them to put it in a writing format. Once they start doing that, it’s easy for me to say “How about we change this to this?” But songwriting is something I’ve really been working on perfecting probably since Boy Band since we met Justin Trantor. He gave me so many different tips on how to write songs and poems that can turn into songs. I have a passion for good writing and I want to perfect it and get to the point where I can do it.
CS: What have you been doing in quarantine? Anything exciting?
JG: The past two weeks I think I’ve been working out, going to sleep, working out, probably eating, and then going back to sleep. But today is the first day since the beginning of quarantine that I’ve had things to do! I’ve been productive for the whole day and will be for the rest of the weekend. This quarantine has been pretty rough but I’m listening to what they’re saying and I’m staying in!
CS: I’m glad to hear it! And to wrap this up I have a few questions from fans on Twitter! The first is: what’s your favorite place you’ve traveled to? – @kayaxstevens
JG: Oh my! My favorite, favorite place I’ve traveled to is for sure Paris. The first time I went was quick because we had a show that night and had to be in Italy the next day. But the last time I went a couple months ago, I was there for five days. Three days were working with Kanye and the other two days were free. Being able to have two full days in Paris was amazing and beautiful and everything I imagined.
CS: If you weren’t singing, what occupation could you see yourself going to school for? -@victorigiddings
JG: Acting, modeling, and styling! I have a passion for all three of those. And then I love to build, I’d build a whole house if I could. So I’d do that just for fun.
CS: Just build a house for fun?
JG: Why not? And then I’m gonna live in it!
CS: Last question: what is your favorite part of the music making process? -@hello_dreamerr
JG: That’s a good one. My favorite part is literally the last thing in my process which is I’ll listen to the song and then ask everything extra, the runs and harmonies, to be stripped out and just listen to the plain vocal. Then I’ll go back into the room and add everything I loved the most and just go!
As a pretty big festival fan, I became aware of Mo Pop music festival last year in 2019 when their lineup totally knocked it out of the park (Lizzo, Tame Impala, AND Vampire Weekend?! Okay, I’m in.) Since then, I’ve been anxiously waiting for their 2020 lineup to drop to see if they could deliver for a second year in a row, and luckily for me, today was the lucky day!
I woke up and checked Instagram this morning to see a killer lineup that has me wishing it was summer already. Khalid and The 1975 are headlining, with supporting up-and-coming acts Doja Cat, Orville Peck, Still Woozy, Hippo Campus, and many more.
I’m super excited because I love checking out new festivals, and this one looks like it can live up to the hype. The website boasts an area called The Shipyard that offers a variety of local Detroit dishes, an arcade, a craft beer area, food trucks, dance parties, a pop-up flea market, and a bicycle valet. There’s lots of personality and fun at Mo Pop, and I can’t wait to see it for myself!
Mo Pop is in Detroit, Michigan on July 25 + 26, 2020. It was first held in 2015 and focuses on indy-rock, pop, and hip hop music. You can check out the full lineup poster below, and head over to https://mopopfestival.com/ for ticket information and to learn more.
The day after the Band of Brothers Road Show wrapped, we got to sit down and talk with PUBLIC about the tour, their music, and what’s coming next.
CROWDSURFER: First of all, I loved the show last night!
PUBLIC: Thanks! Thanks for coming out!
CS: It was the final show of the tour. Was it a different energy, or was it bittersweet? How were you feeling?
John: I would say both of those things, as some of the things you didn’t know you cared about on the tour hits you on the last show.
Matt: I think bittersweet because you spent so much time with the same people. And at the same time it’s like, this is the moment to really crank and move on to bigger and better things. Exciting things like writing new music.
John: Saying I was ready to move on sounds negative towards the tour, but it’s not at all. That was a great thing to go through, but now I’m ready for the stuff we have coming up ahead. I feel energized and tired at the same time.
CS: What’s it been like being on tour with American Authors and Magic Giant?
John: We felt very taken care of by the AA guys, they just were always asking how were doing and encouraging us. They are also on Island Records as well, so they were always just encouraging us a new band like “We’ve been through it before, you guys are crushing it.”
Matt: They’re very aware of what we’re going through right now so they give advice if they feel like they can.
CS: I love it, so much support. So you recently released a sequel music video for your hit single Make You Mine.It’s got a different vibe from the original, and I absolutely loved it. How did the idea to follow up the first video come about?
John: So our team that put together the first one, we had a great time with them, we just had a great time and it did so well. And they pitched us an idea for a sequel and at first I was like that seems gratuitous and people are gonna hate that. But when they were pitching it, and also with the zombie route, that’s when we were kind of like –
Matt: That actually sounds fun.
John: Because it starts off the way you’d maybe expect with a romantic proposal, but then stuff goes really wrong.
Matt: And John bites a dude in the face…
John: Yeah, I just get that bloodlust you know? [laughter] I think for me in this one, I was more like, let’s just have fun. We had a blast, we love this production team, let’s make a movie.
CS: There are a few different versions of Make You Mine out. Do you have a favorite?
John: I think mine is the Rino Sambo remix. It’s got kind of a beachy vibe to it, it’s got some MIDI horn stuff going on.
Ben: I like the acoustic version. The acoustic version is really nice.
John: Honestly, my favorite is the original.
Ben: Yeah, as it should be. It’s the way we wanted it and originally imagined.
CS: So, as we said, tour is over. What’s next for you?
John: We’re going to be doing some really exciting writing sessions with some people that we’ve looked up to for a while. I think we have some TV stuff coming up…
Matt: [whispers] We can’t talk about it though.
John: We’re gonna do MTV Cribs.
Ben: But it’s of our van. Pimp My Ride.
John: So those are fictional things, we’re gonna write.
Ben: Because there are more songs to be made that aren’t Make You Mine.
CS: On that note, it’s been a few years since Sweet Lemonade–
John: Thank you, nobody talks about that EP!
Matt: It’s so underrated! We think all of those songs are fantastic songs.
John: We play two of those songs live almost every show. They’re great songs. I think that EP is a very good representation of how our music has evolved. It’s more poppy, there’s disco stuff going on in there, too. It’s just good.
CS: How would you say your sound has changed since then?
John: We’ve got some unreleased stuff that’s really interesting, I think.
Matt: Yeah, and I don’t think we’re scared to go outside of what we would be labeled as. We’ve always kind of geared our sound to whatever we found interesting at the time. I think we write music because we love writing music, and it kind of comes out in different shades sometimes. I think recently it’s been a lot more disco funk, pop disco funk, than anything else. A year from now it could be alt rock, but it’s still gonna be PUBLIC.
John: I think it’s more common for bands and artists to be multi-genre right now. I’m hoping that it’s a little more accepted that we do stuff that’s not – like oh they’re a pop rock band but this song is pretty funky. So I think that’s what we do because that’s what we love.
CS: You’ve been friends since grade school. How have you grown as friends throughout all these years of being a band?
Matt: I think being friends has really helped with the growth of the band. I think specifically, on tour, when things kind of get really stressful we’ve always had a mindset of bringing it to the table. It’s always kept us closer than ever rather than pull us apart.
John: I feel like the enemy of, not just band but anyone doing something intensive for a long time, is repressing stuff. It’s like a relationship. If you keep something inside it’s eventually just going to poison you with resenting that person. People hear why certain bands break up, and like, it gets really hard. But we laugh really really hard still, and I think that keeps us together and keeps us fresh. We see a goal and we wanna get there and we believe in each other.
CS: Well thank you for taking the time to talk! Can’t wait to see you at your next concert.
Betty Who, Red Velvet, Gabbie Hanna, and Mackenzie Ziegler. Names that are well known in today’s world of modern Pop. But the names you really should know are of the two women behind it all. Alina Smith and Elli Moore, together joined as LYRE, are a powerful duo that make the music we know and love, while breaking down the stigma for women artists in a male-dominated industry.
LYRE first met in Nashville, while in pursuit of their initial dreams in Country music until they found clarity within the genre of Pop. As Elli wanted to navigate herself away from Country, Alina wanted to produce Pop music, and their collaboration has achieved much more than a name for them as a powerhouse production team, but also a valuable friendship. Each of their individual skill sets play a vital role within LYRE. Alina’s expertise in producing and engineering, and Elli’s competence of vocal production and artistry earned them their reputation.
When working with a variety of artists, they provide more than just technical services. ‘‘It’s our job as a development team to have conversations, find out what’s going on in their life, listen to what they listen to, and help create art around all of that.’’ Their creative process can vary from artist to artist. ‘‘Sometimes they already have the song and just need help, that’s when we come in. Gabbie Hanna, for example, will have a melody in her head, or wants her song to be named BLANK, and pretty much knows what she wants. We just make it into music. ’’
Hard-work and diligence continues to be a major factor in their success that their gender hasn’t really been an obstacle. ‘‘It was harder in the beginning for us. Someone actually said, ‘You’re so pretty, why are you producing?’ which was belittling, but only made me work harder. I choose not to focus on the negative past experiences or doubts. I just do my work and gender doesn’t have anything to do with it.’’ Alina explained. ‘‘It’s great that we are dissolving the stigma that women can’t compete in this. It’s exhausting to fight but we know we have to keep doing it for women. Sometimes it doesn’t even process to us that we are women, but are engineers, producers, and songwriters. It isn’t until someone brings it up that we are like ‘‘oh wow, we are women!’’ Elli shared.
LYRE inspires others to continue to support and make room for women. They left us with some wise words for aspiring engineers and artists, confidence as a key factor, as well as dedication to one’s craft. As a self-taught engineer, Alina emphasized the importance of using your resources to hone in your skills. ‘‘Use the internet to learn. The traditional path and programs are great, but if that is something that is not available to you, find it online, and keep developing. You can do anything as long as you’re diligent.’’ As an artist, Elli relayed her message of self-confidence, ‘‘Be excited about your work and other people will be too! If you aren’t putting yourself out there or you’re not confident in it, why would other people be? You should be your biggest fan.’’
Be sure to listen to their music, check out the LYRE Pop sample pack available on Splice, and mark your calendars for Elli’s new EP, Confections, to be released on March 11th, 2020!
Taylor Swift literally became “The Man” in her new video to highlight scenarios of toxic masculinity and we’re so here for it. Per her typical fashion, there are lots of hidden symbols and scenes to decode, so let’s get to it!
The video starts out with a businessman (Taylor’s male alter ego Tyler Swift) yelling at his employees, who of course all cheer for him, and we get a signature wink to the camera from Taylor-as-the-man. Next we see him in the subway, smoking a cigar and manspreading with no regard for the other people on the train (raise your hand if you’ve experienced this too).
The “omg” moment of the video happens when the man steps out at 13th Street Station (a nod to Taylor’s favorite number, 13) and promptly pees on a wall with graffiti writing of all of Taylor’s albums that Big Machine Records currently holds the rights to.
The two signs really bring home the message, with “Missing: If Found, Return to Taylor Swift on the left and “No scooters” on the right, alluding to her feud with Scooter Braun, who purchased BMR last year–without giving Taylor the option to buy her Masters.
The camera pans down from one word also written in graffiti: Karma.
Next the man is making business calls on his yacht, which of course is littered with a handful of lounging models in matching yellow bikinis. He yells at the waiter, and then parties with the models (hello champagne!) before heading back to work. This matches with the lyrics of the song, “I’d be just like Leo, in Saint-Tropez” nodding to how celebrities like Leo DiCaprio are out on dates and vacationing with models in tow. The difference is they are men, and therefore their conquests are celebrated, whereas in contrast, her relationships have been portrayed in the media in a completely negative context for doing the exact same thing.
But what really stuck out to me was the second part of the video. The man gets dressed in the morning after presumably having a fling with the half-naked girl asleep in his bed. Instead of having a “walk of shame” like a woman would, he gets a “walk of fame” instead. 19 hands high five him as he runs down the hallway, proud of his accomplishments.
In the next scene, he’s in the park with his little girl, and all neighborhood is raving over the fact that he’s a great parent, throwing a “World’s Greatest Dad” party for him–another reference to how the double standards exist between women and men when it comes to parenting. So often women are questioned for being career-focused while being a parent, while on the other hand, men get praised for being a parent.
Then the man is playing in a tennis match (for a women’s charity) and when he isn’t winning, he has a mantrum–a man tantrum–and breaks his tennis racket and throws the tennis ball at the umpire when he doesn’t get his way. Many people think that this might be a nod to the incident in the 2018 US Open, when Serena Williams was fined for having a clash with the umpire. She later stated that it felt like a double standard because men have gotten more upset and said worse things during a game with no repercussion.
Next it’s 58 years later and the man is finally getting married–to a woman half his age. She proudly displays the massive ring on her hand, before shaking her head and walking away after the cake cutting.
In my opinion, the best part of the entire video is the end, when the man walks off of the tennis set to the directors chair. Taylor Swift (the real Taylor Swift) is the director, and she gives the man some instruction:
“Could you try to be sexier? Maybe be more likable this time?”
AKA things that the media have all criticized Taylor for in the past. Burn. For her directorial debut, she’s absolutely killing it.
And then it ends with “Directed by Taylor Swift, Wrtitten by Taylor Swift, Owned by Taylor Swift, and Starring Taylor Swift.” She certainly doesn’t need a man, or anyone’s help for that matter. She’s in charge, and that’s an empowering narrative to share with the world.
Swift is singlehandedly fighting the patriarchy and isn’t afraid to speak up about unfair gender biases in the world today. In the video, a man gets away with so many things that if a woman did, would get a very different–and not to mention more negative–reaction. We think she completely nails it.
She might not be a dude, but as far as we’re concerned, Taylor Swift IS the man. You can check out the full video below.