On Friday, February 28th, 2020 Magic City Hippies performed at Emo’s in Austin, TX. Here are some shots from the show!
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📸 gaby deimeke photography
On Friday, February 28th, 2020 Magic City Hippies performed at Emo’s in Austin, TX. Here are some shots from the show!











Taylor Swift literally became “The Man” in her new video to highlight scenarios of toxic masculinity and we’re so here for it. Per her typical fashion, there are lots of hidden symbols and scenes to decode, so let’s get to it!
The video starts out with a businessman (Taylor’s male alter ego Tyler Swift) yelling at his employees, who of course all cheer for him, and we get a signature wink to the camera from Taylor-as-the-man. Next we see him in the subway, smoking a cigar and manspreading with no regard for the other people on the train (raise your hand if you’ve experienced this too).
The “omg” moment of the video happens when the man steps out at 13th Street Station (a nod to Taylor’s favorite number, 13) and promptly pees on a wall with graffiti writing of all of Taylor’s albums that Big Machine Records currently holds the rights to.
The two signs really bring home the message, with “Missing: If Found, Return to Taylor Swift on the left and “No scooters” on the right, alluding to her feud with Scooter Braun, who purchased BMR last year–without giving Taylor the option to buy her Masters.

The camera pans down from one word also written in graffiti: Karma.
Next the man is making business calls on his yacht, which of course is littered with a handful of lounging models in matching yellow bikinis. He yells at the waiter, and then parties with the models (hello champagne!) before heading back to work. This matches with the lyrics of the song, “I’d be just like Leo, in Saint-Tropez” nodding to how celebrities like Leo DiCaprio are out on dates and vacationing with models in tow. The difference is they are men, and therefore their conquests are celebrated, whereas in contrast, her relationships have been portrayed in the media in a completely negative context for doing the exact same thing.

But what really stuck out to me was the second part of the video. The man gets dressed in the morning after presumably having a fling with the half-naked girl asleep in his bed. Instead of having a “walk of shame” like a woman would, he gets a “walk of fame” instead. 19 hands high five him as he runs down the hallway, proud of his accomplishments.

In the next scene, he’s in the park with his little girl, and all neighborhood is raving over the fact that he’s a great parent, throwing a “World’s Greatest Dad” party for him–another reference to how the double standards exist between women and men when it comes to parenting. So often women are questioned for being career-focused while being a parent, while on the other hand, men get praised for being a parent.

Then the man is playing in a tennis match (for a women’s charity) and when he isn’t winning, he has a mantrum–a man tantrum–and breaks his tennis racket and throws the tennis ball at the umpire when he doesn’t get his way. Many people think that this might be a nod to the incident in the 2018 US Open, when Serena Williams was fined for having a clash with the umpire. She later stated that it felt like a double standard because men have gotten more upset and said worse things during a game with no repercussion.

Next it’s 58 years later and the man is finally getting married–to a woman half his age. She proudly displays the massive ring on her hand, before shaking her head and walking away after the cake cutting.

In my opinion, the best part of the entire video is the end, when the man walks off of the tennis set to the directors chair. Taylor Swift (the real Taylor Swift) is the director, and she gives the man some instruction:
“Could you try to be sexier? Maybe be more likable this time?”
AKA things that the media have all criticized Taylor for in the past. Burn. For her directorial debut, she’s absolutely killing it.

And then it ends with “Directed by Taylor Swift, Wrtitten by Taylor Swift, Owned by Taylor Swift, and Starring Taylor Swift.” She certainly doesn’t need a man, or anyone’s help for that matter. She’s in charge, and that’s an empowering narrative to share with the world.

Swift is singlehandedly fighting the patriarchy and isn’t afraid to speak up about unfair gender biases in the world today. In the video, a man gets away with so many things that if a woman did, would get a very different–and not to mention more negative–reaction. We think she completely nails it.
She might not be a dude, but as far as we’re concerned, Taylor Swift IS the man. You can check out the full video below.
We’re big fans of funky throwback pop records and up-and-coming NYC-based musicians, and Keep in Touch is a trio that fits the bill. With their uber-catchy beats and contemporary flare, they’re hoping to be next big thing in music. We caught up with the boys in Ray’s Harlem apartment for some behind-the-scenes shots of their jam session, and asked them a few questions.
How did you guys first meet?
“We met at through the rock climbing community that we’re a part of, we both new of each others musical endeavors and wanted to collab, kinda right away.” -Ray
“After we jammed a couple of times we really realized our overall vibe and tastes in music were very aligned.” -Nate

How’d you come up with your name?
“I had a song called “Keep in Touch,” with the last band I was in All Types of Kinds, and someone from BMG heard the song and thought it was a better band name than the current one the band had, so I’m taking their advice.” -Ray

What would you say is the genre/vibe of the band?
“When we first started making music together, we learned we both share a love for 70’s disco/funk music, as well as what’s happening with modern synth-based pop and R&B. So our goal throughout this whole project has been pretty simple, to make music that people can either dance to or make love to. As long as people are dancing, we know we’re doing something right.” -Nate


Talk about the recording process, what’s it been like?
“We’ve never recorded music at this caliber, we commute up to Connecticut currently from the city to work with this producer Mike Rogers, who’s really developing us into true studio musicians. We now spend hours working on the smallest details on any given track, which has helped us fully realize the concepts of these songs. His studio is in this little restored barn a 30 second walk from the Appalachian trail, which is a stark contrast from NYC and with both of us loving the outdoors its pretty rad. ” -Ray
Challenges getting the band up and running?
“Overall, making this music has been an incredibly seamless process. When it comes to lyrics/arrangement Ray and I have tons of ideas to work with. One major challenge though has been figuring out how to play these songs in a live setting. Because we’ve been working so much in the studio, most of our songs have more parts to play than we can accomplish with a few of us! Luckily we’ve met some fantastic musicians who want to support our sound in a live setting.” -Nate



Favorite song you’ve written/recorded?
“The one we’re currently working on in the studio now, actually! It’s one that has felt special since the first day we started working on it. It’s a bop.” -Nate
When can we expect to hear your first single?
“Sometime in spring 2020.” -Ray
We can confirm their first song is a bop, and we can’t wait to share it with you when it drops. Definitely put these guys on your radar if you haven’t yet! Go check them out on Instagram at @keptintouch. And for more pictures of the boys and tons of other musicians, check out the Crowdsurfer Instagram @crowdsurfermag.
We’re so excited to bring you a behind the scenes look at NYC artist and performer Cellus Hamilton. He moved to New York from Atlanta to pursue his music career, and he spends a few hours every week performing in Subway cars to commuters and tourists. We followed Cellus during one of his shifts and talked to him about the process, why he started rapping on the subway, and where he’s headed in the future.
Watch the video below:
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