American indie pop rock band COIN kicked off their “Uncanny Valley” tour this month in Phoenix, AZ, and made their way to CA with stops in Los Angeles, San Diego, and most recently, San Francisco. The sold-out San Francisco show took place at The Regency Ballroom and opened with “Learning,” one of the hit songs in their Uncanny Valley album which was released in March 2022.
Throughout the entire 23-song set, the band performed with incredible energy, and lead vocalist Chase Lawrence frequently jumped off the stage to engage with fans. In addition to the songs in the Uncanny Valley album, they also played a few singles including “Brad Pitt” and “Cutie,” along with “Talk Too Much,” a fan favorite from their 2017 album How Will You Know If You Never Try. Throughout the set, the LED panel on the stage displayed impressive visuals which were individually crafted for each song.
COIN’s North American tour continues through October 2022 – make sure to catch one of their upcoming shows and enjoy these photos from the San Francisco show!
I Don’t Know How But They Found Me opened up their show in Nashville on February 21st with their latest hit “Leave Me Alone” to the delight of hundreds of fans. They kept the energy high up until the proclaimed sad portion of the show where they played “Need You Here” and “Door” before moving into the proclaimed selfish portion of the evening. Here, lead singer Dallon Weekes decided to play a cover of “Someday” by The Strokes just for his own enjoyment.
iDKHOW also included a couple of songs from The Brobecks, the former band of Weekes and drummer Ryan Seaman. The band had the crowd sing along during these two songs, even going as far as to have the audience harmonize, which was a daring decision with beautiful results.
They closed out the show with fan-favorite “Razzmatazz” while teasing that it was up to everyone at Brooklyn Bowl if that was going to be their last song or not. Of course, the crowd chose encore performances.
Bad Bunny played American Airlines Center in Dallas on February 18th, the first of his two performances in Dallas. He delivered a 2.5 hour set, covering songs from his El Último Tour Del Mundo album, to new hits and classics like “Lo Siento BB:/,” “Yonaguni,” and “Safaera.” His energy and stamina was impressive and the crowd was roaring from start to finish.
Performing at the Music Hall of Williamsburg on November 10th, JAWNY walked onto the stage with a cheeky smile as Taylor Swift’s “You Belong With Me” blasted. The song was one of the many mid-2000’s hits that the artist played before his set — all of which the crowd sang along to in unison.
As Swift’s song ended and JAWNY’s time began, he played the opening notes of “Take it Back” before abruptly stopping. A crew member had gotten his attention because an audience member felt unwell and needed a medic. The entire room instantly tensed up — just days before the show, the tragic events at the Astroworld festival had transpired, leaving the concert world in a state of shock and grief. Unlike artists at Astroworld, JAWNY instantly quieted the crowd, made sure the audience member was getting help, and even gave her one of his water bottles.
The crowd cheered as the artist threw a bit of shade,
“This is what we do when someone isn’t feeling good…we stop…the…show” he emphasized.
Despite being visibly shaken up after the incident and having rolled his ankle at the Oakland stop of the tour, the artist put on a stellar performance filled with energy.
JAWNY interspersed humorous stories in between performing hits such as “Honeypie”, “4Tounce”, and “For Abby”. Known for his witty storytelling, the artist shared that he constantly runs over his set time because he rambles on for too long, and sassily remarked,
“I always go over time and get in trouble with the venue…so I’ll shut the fuck up and play.”
Ironically, the artist ended up performing a multi-song encore for the crowd, though we trust that he kept his word and didn’t go over time.
JAWNY released his latest project, The Story of Hugo, in July of this year. Listen to the project here.
Nashville came out on November 11th to Cannery Ballroom to see Olivia O’Brien, who last played at Cannery just before lockdown began in 2020.
O’Brien started off The Olivia O’Brien Show by walking out and informing us that she was the host, she was the musical guest, and she was doing everything, which had the audience giggling and shouting her name back to her. Then she began, and opened her set with “We’re All Gonna Die.” Someone threw a white cowboy hat onstage, which O’Brien promptly picked up and placed on her head, resulting in an even louder round of applause.
O’Brien continued to play favorites off the first half of her new album Episodes: Season 1 including “Sociopath,” while also treating everyone to songs off of her first album such as “Just Friends.” Throughout the entire show, the audience could be heard singing the lyrics back to her.
As the beginning notes of “The 1” rang out, the crowd at Baby’s All Right eagerly whipped out their phones to record María Isabel’s entrance. The New York City native couldn’t contain her excitement at selling out two hometown shows.
“You guys have no idea how happy I am to be here, I love you all so much,” she gushed.
The crowd laughed and began shouting how much they loved Isabel, leading to a back and forth exchange of “I love you” between Isabel and the crowd that lasted about 30 seconds. Isabel carried on with her set, performing “Stuck in the Sky”, “Where Does the Love Go?”, and “De Na’” amongst other fan favorites.
Easily the highlight of the night, Isabel took a break from her discography and excitedly led the crowd in singing “Happy Birthday” to her brother JJ, who turned 21 that night.
Crowdsurfer: Tell us how you got into shooting shows, how long you’ve been doing it and why you started.
Dusty Kessler: I’ve been shooting music since 2010 when my best friend was starting to perform as a local DJ. I would help him book shows by sending emails to promoters then bring my cameras with me to the shows, maybe there would be 25-50 people there. I started venturing out on my own and hitting up local promoters and other friends in the music scene and was just shooting for free for a while. Eventually that developed into some good business relationships that I still have today with some artists. I guess I started just because I loved live action and music. I never knew it could be a potential career path starting out but i’m thankful to still be shooting.
CS: What are some of your favorite shots you’ve taken over the years and why?
DK: One of my first favorite shots in memory was with G-Eazy, who I still collaborate with frequently. We shot it in Kansas City, MO, while I was in college. He was crowd surfing and I had a strobe in the back of the venue for extra light that I popped off while the confetti blast happened. I’ll never forget that one.
Recently I’ve been working with Miguel and a few months ago we shot at a festival in California. The shot of him with pryro going off in the background ended up being used on his tour merch so that was an amazing moment. To know there are people on the other side of the world wearing clothes with my image on it is amazing.
CS: What do you think is the hardest part about live concert and portrait photography?
DK: The hardest part for me is also the most fun part which is conveying to the viewer what it was like to be there in person and show the human aspect of the artist. When I’m working with an artist 1 on 1 it’s always a challenge that I break down the barrier between the camera and the subject.
CS: Your aesthetic includes a lot of film photography. Do you prefer film over digital? How has your style evolved over time to your signature style that you use now?
DK: I love film and digital. Film is the best medium to be creative and challenge yourself to slow down and frame up a shot. Yes I have shot film a few times during live concerts but it’s more often that I’ll shoot digital for the performance and any backstage or BTS stuff I’ll shoot a mix of film and digital. Sometimes with such quick turn around times I have to only shoot digital to deliver fast. I think my style has always been about being honest and not staging my shots.
CS: Who are some of the people you’ve gotten to photograph, and who is your dream artist to get to photograph one day?
DK: It’s a very extensive list. Recently I’ve still been shooting with G-Eazy and Miguel. Others include Jamie XX, Hitboy, Ava Max, 5 Seconds Of Summer, 070 Shake, Dan and Shay, Maroon 5 and many more. I’ve shot a lot of artists but I think a dream artist who I’d really like to be on tour with is someone who’s not even known yet to the public. I really like working with artists who are small and develop their brand image and creative. But a Billie tour would be fire too (shout out Matty Vogel)
CS: What do you love about shooting shows and the whole touring experience?
DK: I just love tour and meeting new people all around the world who care about music and come together for that reason. There’s nothing like a live sold out show or festival or tour.
CS: What would your advice be to young photographers just starting out?
DK: Find new artists and be in A&R. Reach out to people and offer your services for free at first and build with them creatively. The rest will come with time and just keep shooting every day no matter what type of camera you have or subject you shoot.
CS: Love that. What’s next for you, and what are your plans for this year?
DK: Right now is a scary time for those in my industry. With the touring and music industry on hold we have to stay creative and get through this together. Hopefully in the next 6 months things get back to normal.
CS: Definitely. Anything else you want to add?
DK: I love hearing from new people. Send me a message on IG @dkessler.
Alexander 23 opened up for Chelsea Cutler on March 3, 2020. We were all instantly in love with the neon heart sign that he had on stage, and clearly falling in love with him as he played his newest single “I Hate You So Much,” and covering bops such as Miley’s “Party In The U.S.A.” Take a look at all the photos below! And then check out our other coverage from concert if you haven’t already: Chelsea Cutler photos and the X Lovers interview.
The New Regime played in NYC on March 5, 2020, the first of a two-night run at Brooklyn Steel. The dark, moody lighting set the tone and we were treated to a longer opening set, which I certainly wasn’t opposed to. The New Regime ended on “Heart Mind Body & Soul,” which is a song I strongly suggest you take a listen to if you’ve never heard it before!