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Music News Reviews

Halfway to Greatness: Kelsea Ballerini’s Patterns Hits and Misses

Kelsea Ballerini’s latest album, Patterns, delivers a mix of personal introspection and catchy melodies yet ultimately falls short of reaching the heights set by her previous work. While Ballerini has always excelled at crafting relatable songs that touch on love, loss, and self-discovery, Patterns lacks the cohesion and standout qualities that made SUBJECT TO CHANGE such an engaging listen. This new album has moments of brilliance, but overall, it feels more like a collection of individual songs rather than a well-curated body of work.

About half of the album’s tracks capture the charm and lyrical introspection that Ballerini is known for, resonating with a touch of authenticity. Among the standout songs is “Sorry Mom,” a vulnerable piece that explores familial ties with a mix of regret and appreciation. Ballerini’s honest reflections on her journey resonate deeply, and the track’s melody perfectly complements the weight of her lyrics. Similarly, “Baggage” delves into emotional struggles, presenting a fresh perspective on our personal burdens. The way she navigates such delicate themes shows her growth as an artist, willing to dive into rawer territories without losing her approachable style.

Tracks like “How Much Do You Love Me” and “Two Things” continue to showcase Ballerini’s lyrical strength and emotional depth. “How Much Do You Love Me” feels particularly genuine as she muses on the nature of commitment and trust in relationships. Her voice’s vulnerability is accentuated by the track’s minimalist arrangement, allowing her storytelling to take center stage. “Two Things,” on the other hand, touches on the complexities of balancing personal and professional life, reflecting on the often-overlooked struggle to prioritize one’s needs amid external expectations. These songs resonate well and contribute to the album’s introspective tone.

Then there are songs like “We Broke Up” and “Deep,” which lean into Ballerini’s pop sensibilities. Both tracks are catchy, with infectious choruses and memorable hooks. “We Broke Up” has an upbeat, almost carefree vibe despite its subject matter, making it a fun yet thoughtful addition to the album. “Deep” is similarly appealing, showcasing Ballerini’s ability to blend relatable lyrics with an accessible pop-country sound that remains true to her brand.

Despite these highlights, Patterns doesn’t feel as dynamic or cohesive as her 2022 release, SUBJECT TO CHANGE. That album seemed to have a stronger sense of purpose, and each track felt like it contributed to a bigger narrative arc. With Patterns, however, a lack of flow makes the album feel somewhat disjointed. The tracklist doesn’t always work in harmony, and a few songs feel more like filler than vital puzzle pieces. Where SUBJECT TO CHANGE captivated with its energy and thematic unity, Patterns feels slightly flat in comparison, missing the spark that truly defines an exceptional album.

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Reviews

Brat Summer is NOT Over – Sweat Tour in Boston

On September 28th TD Garden in Boston, MA was overrun by excited patrons donning lime green, leather, and skinny sunglasses and ready to dance the night away. Why? Because the Sweat Tour was finally making its stop in town. The tour, which is co-headlined by the LGBTQ+ Aussie icon Troye Sivan and the British electronic pop queen Charli XCX, was announced to cult excitement in the spring, and Boston’s date quickly sold out.

When the lights in the arena dimmed and a remixed mashup of “Club Classics” by Charli XCX and “Got Me Started” by Troye Sivan started to blast over the speakers, the whole atmosphere changed. It felt as if we were all suddenly teleported into an intimate club packed with patrons ready to sweat. The bass shook the floor, the screens flashed with the headliners’ names, and the crowd became electric.  Not long after, Troye’s dancers strutted on to the stage and the show began. 

During the almost two hour set, the friends switched off performances, playing three or four songs before passing the mic off, creating a show that felt a bit like watching a bejeweled tennis ball go back and forth; you weren’t always sure where to look or where it would go next, but it kept you totally gripped the entire time, not allowing even a second for boredom to creep in. They also appeared on stage together for a few joint performances, including their new remix of “Talk Talk” off of Brat.

This is the largest headlining tour for both artists thus far in their careers, marking a momentous step forward for the pair, even after the exciting year they both had. 

Sivan released his album Something to Give Each Other back in October of 2023, and along with a shout out from critically acclaimed comedy show SNL, the album received two Grammy nominations. On the other side of the coin, Charli’s Brat was released in June of this year and has spent months influencing pop culture, even causing fans to believe she may have a shot at her first solo Grammy nomination and win. 

With the release of Brat, Charli XCX became an internet sensation, proclaiming the summer months “Brat Summer” which spawned Tik Tok dances, trends, new slang, inside jokes, and included multiple remixes of the songs from the original Brat lineup. The aesthetic of Brat has given people the confidence to be unapologetically messy, and bold, all while wearing last night’s makeup and brandishing some article of clothing in the now iconic “brat green” of the album cover. However, Brat is not all unbothered it girl, but rather contains an emotional depth that can be overshadowed sometimes by the thumping bass of the majority of the tracks. This is a club album at its core, but it is a club album that asks us to reflect and gives us a small glimpse into the insecurities that plague even the coolest girl, Charli herself.

The Sweat Tour was announced earlier this year and really only stirred excitement from their preexisting fans until Brat came on to the scene and caused Charli to blow up and finally receive her flowers. However, as amazing as Charli and Brat are, they do not completely steal the show by any means. Troye and his band of dancers command the Sweat Tour stage with a confidence and swagger all their own. This was one of the most exciting concerts I have attended in a long time, and here are some of the best moments.

Sivan opened the show with “Got Me Started,” an upbeat techno-sounding pop hit that introduced us to his troupe of talented dancers. The star and his dancers hit the stage with a sultry appeal and impeccably choreographed moves. Going from steamy tableaus and intricate gesture work to an almost line dance-like section during his encore song “Honey,” the performers really showed versatility and did an amazing job entertaining the crowd. To Troye’s credit, his vocals were amazing, but his dance movies really stole the show. He joined his dancers for the majority of the dance breaks, seamlessly completing the complex choreography and invoking memories of some of pop’s greatest performers. 

Troye and Charli also made use of their runway, treating fans to a costume change almost every time they reappeared on stage. Troye donned multiple pairs of baggy pants, one even bedazzled, sexy tank tops, and backwards baseball caps. Charli first appeared on one end of the runway after dropping a large green curtain with the word “Brat” in full view across it to reveal herself dressed in a purple asymmetrical Acne Studios dress, knee high boots, a pile of Y2K belts, and of course, her signature sunglasses. Later in the night she wore a large fur coat, a baby pink set with lacy socks, multiple pairs of leather boots, and even a pair of sparkly briefs. 

Charli took the stage with all of the smoothness and nonchalance we have begun to expect from her after the release of “Brat,” but she gave anything but an unenergetic show. She stomped, sang, and strutted up and down that runway every chance she got, captivating the audience with her messy hair flips, high kicks, and not letting a wardrobe malfunction get in the way of giving a good show.

After losing her skirt and strutting across the stage in a pair of black panties, she got on the mic and said: “Sometimes being a girl means you have wardrobe malfunctions on stage in front of a sold out arena, and you show your ass but you don’t give a fuck because you’re a bad girl sometimes, but you’re also a sad girl and you want to cry sometimes too.” 

The night was jam packed with hits, dancing, and fashion, including a cute moment where Charli’s team picked someone out of the crowd to do the famous “Apple” dance that was choreographed by Tik Tok creator Kelley Heyer. Between the swapping sets, strobe lights, and ground shaking bass, Troye Sivan and Charli XCX put on what has to be one of the most entertaining concerts of the year.

Set List

Act 1: Troye

  • Got Me Started 
  • What’s the Time Where You Are?
  • My My My!

Act 2: Charli

  • 365
  • 360
  • Von dutch

Act 3: Troye

  • In My Room
  • Dance to This (ft. Ariana Grande)
  • Rager teenager!

Act 4: Charli

  • Club classics
  • Unlock It
  • Sympathy is a Knife
  • Guess (ft. Billie Eilish)

Act 5: Troye

  • Bloom

Act 6: Charli

  • Spring Breakers
  • Girl, so confusing

Act 7: Troye

  • One of Your Girls

Act 8: Charli

  • Everything is Romantic
  • Speed Drive
  • Apple

Act 9: Troye

  • Silly
  • You
  • STUD

Act 10: Charli

  • 365
  • Vroom Vroom

Act 11: Both

  • 1999

Act 12: Charli

  • Track 10
  • I Love It

Act 13: Troye

  • Honey
  • Rush

Act 14: Both

  • Talk Talk (ft. Troye Sivan)
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Concert Photography Reviews

Joshua Bassett Returns to Charlotte, NC with Thomas Day

To quote Isabel ‘Belly’ Conklin from the Amazon TV show The Summer I Turned Pretty, “Last summer felt like a dream.” Or in this case, “August 13, 2024 felt like a dream.” 

Not just for me, but for the fans who were anxiously and excitedly waiting to see Joshua Bassett at The Fillmore in Charlotte, North Carolina. It’s not Joshua’s first time in the city as he performed at The Underground last year on his Complicated tour. As per usual, Joshua never disappoints when it comes to his performances. He returned to the city where it was not only a night about fun and excitement on his tour The Golden Years but also about peace and forgiveness. Though Bassett returned to Charlotte with a different theme and mood of his performance, he still brought joy, happiness, and passion to his music. 

Opening for Bassett was the energetic Thomas Day, who was also a contestant on Season 15 of America’s Got Talent. Appearing on stage before us like lightning, Day performed his heart out. After seeing how incredibly talented he was, I can honestly wholeheartedly say,  Thomas Day will definitely be an artist that I will be adding to my playlists on Spotify!

About a few minutes later, Bassett appeared beaming with so much energy as he sweetly greeted fans throughout his entire performance. With his songs like “The Golden Years,” “Secret,” “Biting My Tongue,” “Life Line,” “She Said He Said She Said,” and more, every fan was either dancing or singing his lyrics back to him. Throughout his set, he even made a few small trips around the venue, greeting and meeting his fans. Another highlight of the night included Basset even bringing back Thomas Day to the stage to sing a cover of a Beatles song, “Yesterday.

Bassett and his fans took turns in teaching each other something new. Though he gave us insight into his life, struggles, and life advice, at one instance and in return, his fans gave him dance lessons. While performing “Circles,” two fans taught him line dancing, which he happily partook in. 

Bassett was even transparent with his fans of his struggles. A common theme I have noticed in his performances and in his music is reflection, typically healing, being grateful for certain lifelines in our lives, and surrounding yourself with amazing people. Though these are certainly great lessons for us to learn, he even threw in another one: forgiveness, and how it is always important to learn from our past mistakes and perhaps our golden years, and continue to move forward. 

Overall, it was a night that I nor the fans will never forget. I especially enjoy how open and honest Bassett always is about his struggles as a means to reassure his fans that they are not alone. His songs and performances always seem to give them comfort and a safe place, myself included. I hope to look forward to more animated performances by Bassett the next time he comes back to the Queen City! 

The Golden Years Album Review: 

Since it has his album release, even on the car rides home, I continuously listened to The Golden Years. The album was released on July 26, a few days before Bassett kicked off his headlining tour with the same name. At first I somewhat struggled to find the words to describe this album, but now I definitely found them: Emotionally mature, honest, relief, and reflection. 

Since its release I could not help but wonder: where was this album when I needed it most?  

Bassett reflects on the past few years of his life, the good, the bad, the happy, the sad. In the album, he not only reflects on the golden years of his life but also on certain heartbreak, with some regret, which is something that I know most of us do. He even channels the roller coaster being fine one minute, but not fine the next. Through song, he exemplifies what healing is like realistically. 

In the past, Bassett has been open and honest with his fans with his struggles, and always finding the good in every situation. Though he channels his feelings and honesty into song, notably past songs like “different” and “would you love me now,” the songs on The Golden Years now constructs those feelings and creates such a heartfelt and honest album. It is an album that I believe most people can either relate to or even find solace in.   

Overall, The Golden Years not only reflects on the highs and lows of the past few years of Bassett’s life but also his achievements and his personal growth as an artist and as a person. 

The album presents itself with such emotional maturity, a deep sigh of relief, letting go, and looking forward to what’s to come. 

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Concert Photography Reviews

Stephen Sanchez Brings Retro Vibes to Charlotte on The Troubadour Tour

Charlotte was transported back to the 1950s as Stephen Sanchez took the stage at The Underground on one of his last nights of The Troubadour tour. Fans were excited to see Sanchez perform live and went all out. Most fans arrived in style as they attended the show in vintage, classic ’50s-style clothing. After much anticipation, the audience was suddenly part of an epic yet tragic love story when Sanchez appeared on stage, narrating the love affair between songs. 

The performance was filled with excitement and all things the ’50s as Sanchez started his set soft and angelic with “Something About Her,” which became upbeat as he performed “Evangeline” and “I Need You Most of All.” Throughout the night, the stage overflowed with electrifying talent and added to the love story Sanchez was telling as he performed songs off of his album Angel Face. Along with his melodious voice, he showcased even more of his talents by breaking out his guitar on multiple occasions and intensely played the piano – one instance was while performing “Shake” alongside his bandmates. Aside from the concert itself and along with the narration of the love story, the performance even included a few humorous and lighthearted side conversations between fans and Sanchez himself.

Sanchez was also no stranger to the classics. Amid his performance, he whisked his attention towards his female fans, asking the audience, “Where are all my pretty women at,” as he performed a thrilling cover of Rob Orbison’s “Oh, Pretty Woman,” dedicating the song to them. As a woman myself, I was completely touched by the gesture. 

In light of the holiday season, Sanchez even performed a snippet of Jay Livingston and Ray Evans’s “Silver Bells.” In addition to singing a couple of covers, Sanchez even performed a heartfelt tribute to Priscilla Presley, the wife of the late King of Rock and Roll, Elvis Presley. He shared with the audience that she had seen them perform, and in dedication to Presley, he sang a cover of “Unchained Melody” in the most heartfelt performance I have ever seen from any artist I had ever reviewed. His cover of this romantic song personally made me love this man and his voice even more. 

Sanchez concluded the concert not only by thanking his fans on one of his last nights on tour but also by ending the night with “Until I Found You,” the dreamy and romantic song that captivated fans throughout TikTok and can be heard on the last episode of season 2 of Ginny and Georgia.

Overall, it was a pleasure to be a part of the love affair that Sanchez narrated and to see the troubadour in action, performing and bringing back the music and vibe of the 1950s, even if it was just for one night only. 

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Concert Photography Reviews

Andrew McMahon in the Wilderness at the House of Blues in Cleveland

Andrew McMahon in the Wilderness performed a truly unique concert experience at the House of Blues in Cleveland Ohio on Saturday December 2nd for his New Friends tour. Andrew McMahon, formerly of the band Something Corporate and Jack’s Mannequin, began releasing music under Andrew McMahon in the Wilderness back in 2014 and has continued releasing incredible music.

McMahon delivered a phenomenal high-energy show from start to finish. This dynamic set had multiple guests onstage, frequent visits to the crowd, and even featured a fan onstage for the song “Highdive.” The show was complete with stunning camping visuals, a kooky park ranger, shadow puppets, marshmallows, and last but not least – a crowdsurfing llama. A major highlight of the show was when McMahon invited members from Wildermiss and Michigander onstage for a performance of “New Friends” all while tossing marshmallows to the crowd. If Andrew McMahon and his llama are set to crowdsurf through your town, don’t miss out. Check out the gallery below for photos from the show.

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Concert Photography Reviews

Shakey Graves at Roadrunner Boston

Shakey Graves’ live performance at Roadrunner in Boston was nothing short of a sonic revelation, an electrifying journey through the soulful intersection of folk, blues, and rock. The venue pulsed with energy as Shakey Graves. His raw, gravelly vocals soared through the air, weaving tales of heartbreak, resilience, and wanderlust. Backed by a phenomenal band, the performance was at once an intimate affair with a genuine rock vibe.

Shakey Graves was poignant and sincere while playing but in between songs he joked and related to the crowd. He alerted the venue that there was a theme for the night and then midset asked if the crowd had guessed the theme. People tossed out guesses, but the game ended when someone from the audience yelled out, “David Lee Roth.” Shakey Graves laughed and agreed leaving us to wonder whether or not that was the actual theme. All this to say, he has a dynamic stage presence and genuine charisma showcasing himself as a captivating storyteller, effortlessly inviting the crowd into his musical world.

The concert was a masterclass in genre-blurring brilliance, leaving an indelible mark on all fortunate enough to witness this spellbinding performance.

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Concert Photography Reviews

Coco Jones performs at The Underground in Charlotte

Coco Jones not only knows how to put on an amazing performance on-screen, but also dazzled her audience at her sold out show at the Underground in Charlotte, North Carolina on the second leg of her first headlining tour named What I Didn’t Tell You. 

Jones’ supporting act Haben gave a heavenly and melodious performance and the audience a glimpse into her new music, and then Ebony Riley gave a soulful and upbeat performance and was not afraid of sharing with the audience of her life experiences. Riley had also made inspiring and thoughtful dedication to her foster parents, who were present during her performance, through her song “Save Me.”

As Jones took the stage, the audience, who were with her through her Disney days and/or new music career, were ecstatic to see her perform. Talent and beauty radiated the stage as Jones performed music from her album What I Didn’t Tell You, such as “ICU,” “Double Back,” and “Caliber.”  At one point of the show, despite what seemed to be slight technical difficulty on stage, Jones continued the show by singing a capella to the audience, including some of her earlier music such as “Holla at the DJ.” 

Overall, the show was everything I personally expected it to be: to see such talented artists grow through their music as they continue to navigate their way through their careers. For Haben and Ebony Riley to give such beautiful and vulnerable and soulful performances was inspiring as they continue to express their experiences through song. For Coco Jones, it was nostalgic, yet amazing to see her grow from a teenager on Disney Channel to a young woman touring on her first headlining show. 

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Concert Photography Reviews

Suki Waterhouse in Charlotte

Suki Waterhouse, with her talented openers, Danielle Durack and Carol Ades, performed at The Amp Ballantyne in Charlotte, North Carolina on October 6th. All three of the singers put on an unforgettable set showcasing their individual talent.

First Danielle Durack took the stage with her acoustic guitar. With her beautiful voice she connected with the audience winning the hearts of the crowd. Next, it was Carol Ades, who with her playful energy and emotional music, made for a fun and yet heartfelt set.

Then it was time for Suki Waterhouse to grace the crowd with her presence as she headlined the show. She came out in a sparkly jumpsuit and it felt as if she was glistening among the stars in the sky that night. Her performance was full of passion as she danced around on stage, flipping her hair, singing, putting on a fantastic show. It was a magical night full of empowering female artists. It was evident that all three of the performers really love what they do and enjoy perfecting their craft. The audience left the show on a high after attending a concert that was worthy of being remembered.

Photos and article by Sarah Sturgis.

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Concert Photography Reviews

P1Harmony at Opry House

February 12, 2023 was a night to remember – and not because of the Super Bowl – as P1Harmony became the first K-pop band to play the historic Grand Ole Opry in Music City. Their setlist included songs across their discography, including “Back Down” and “BFF” from their latest EP Harmony: Set In, as well as favorites from past releases such as “Doom Du Doom” and “Follow Me,” the latter in which the crowd was delightfully shocked when streamer cannons shot off towards the end of the song.

Being in Nashville, the band naturally thought to give a shout out to country music. Soul decided to sing an a capella rendition of “Home on the Range,” which was hilarious and at the same time beautiful, and the entire audience sang along with smiles on their faces.

The band acknowledged that it was Super Bowl Sunday, and everyone could have been at home watching Rihanna play. But they weren’t, so P1Harmony was grateful to their fans for being there. Judging by the cheers, deafening screams, and dancing throughout the concert, we don’t think it was a tough decision for them.

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Concert Photography Reviews

Tove Lo // Dirt Femme Tour

Tove Lo kicked off her North American Dirt Femme Tour in Music City with a sold out show at the historic Ryman Auditorium. She started the night with high energy, opening with “Pineapple Slice” before moving into “Attention Whore,” both songs off of her latest album Dirt Femme. She then laid down some ground rules for us before continuing, which included dancing with her, crying with her, and feeling sexy at least once.

We’d be remiss if we didn’t mention the wardrobe! Tove Lo started the night in her iconic golden piece most notably featuring faux nudity, and later changed into a sparkling, fringe-covered outfit with rips all the way up and down the pants. Tove Lo commented on her wardrobe after singing “Grapefruit,” a powerful song about her past experience with disordered eating and her relationship with her body. She told us how it was a long journey, but “I’m glad I did the work,” and that now she is clearly “comfortable being half-naked on stage.” She reminded us that her concerts were a place where she wants everyone to be themselves, resulting in cheers and hugs in the audience.

The setlist included songs from each of her albums, but a highlight of the night was when Nashville was treated to being the first to hear a brand new song called “Borderline” – which we can confidently say is a banger and you’ll want to add it to your playlist when it comes out in a couple of days!

When Tove Lo came out for her encores, we were surprised by the third outfit of the night, this one all metallic! As she took the stage again, she told us that she had met a man in Nashville the day before and asked him what he wanted to hear at the show. So the crowd was blessed to hear “Stranger” played live for the first time ever, before Tove Lo closed out the night with the song that started it all – “Habits (Stay High)” – and the beginning of Dirt Femme – “No One Dies From Love.” These two were significant to end the night with, as Tove Lo noted that “Habits” was released independently, and Dirt Femme is her first album as an indie artist, bringing her full circle.

If you weren’t with us in Nashville last night dancing and singing and banging on the benches of the Ryman, we hope you’re catching this show during the rest of the tour!